A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tensions emerge, and the gloves come off, leaving the couples with more than just their liberal principles in tatters.
“Examined coldly, this 90-minute play about two couples who meet to discuss a playground fight between two of their children isn’t much more than a sustained Punch and Judy show, dressed to impress with sociological accessories. But there’s a reason that Punch and Judy’s avatars have fascinated audiences for so many centuries in cultural forms low (“The Honeymooners” of 1950s television) and high (Edward Albee’s 1962 drama Who’s Afraid of Virginia Woolf?). God of Carnage, which is poised somewhere in between, definitely delivers the cathartic release of watching other people’s marriages go boom. A study in the tension between civilized surface and savage instinct, this play (which recently won the Olivier Award in London for best new comedy) is itself a satisfyingly primitive entertainment with an intellectual veneer.“ — NY Times